NICHOLAI WIIG HANSEN (DK)

Related Projects: Belgrade Design Week Festival 2014

Nicholai Wiig-Hansen (born 1964) is a self made industrial designer. Being a son of one of the most respected and beloved contemporary Danish artists Svend Wiig Hansen, Nicholai had art and design infused in his veins since early childhood. The influence of the artistic childhood home plays a major role in his approach to design. Although Nicholai clearly distinquishes between art and design.

Through working in an internship at a design studio, Nicholai Wiig-Hansen was introduced to Ikea whom he worked with for several years. Nicholai is the designer behind many Ikea classics, such as PS Locker that won Red Dot Award and Marie Claire Prix D’excellence 2000.

Nicholai Wiig-Hansen has had his own design studio since he was 26 years old. He works with many different tasks using himself as target group, meaning Nicholai visualizes the clients needs based on his own preferences. Nicholai currently works with commpanies such as Normann Copenhagen and lamp manufacturer Lightyears.

Nicholai Wiig-Hansen has worked in different fields, such as working with the outdoor company Primus, the carpet manufaturer Fabula Living, and he has also made a design concept for one of Denmarks largest supermarket chains. Nicholai has furthermore worked with food- and chocolate companies.
For his new thermo jug manufactured by Normann Copenhagen, Nicholai Wiig-Hansen is the recipient of the Red Dot Award Best of the best 2013 and the German Design Award ”Special Mention” 2014. Nicholai’s new chair also manufactured by Normann Copenhagen won the prestigious Interior Innovation Award 2014.

Nicholai Wiig-Hansen has been exhibited in several museums, such as Design Museum Denmark and the Neue Samlung in Munich.

http://wiighansen.com/

The Belgrade Design Week was the best design conference I have ever enjoyed – the specific spirit of the city in a kind of in between status, the rough tension which can still be felt ten years after the bombs, the pride and the looking for new orientation especially in the young generation – all this is giving the BDW a special flair far away from the current events of the global design circus. In addition the enthusiastic organizational team trying hardly but unsuccessfully to keep the program along the schedules, the informal exchange between the international speakers, the loss of any discipline, the parties on the river … what ever and how ever the interrelations between these aspects are working – it makes the BDW an unique, likeable, inspiring and productive event, I will never forget.

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