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Uros Otasevic was born and raised in Belgrade, Serbia.In 2008, he moved to New York to obtain a Masters
degree in Art Media and Design at Parsons New School. All the while, focusing on developing his digital visual effects skills. .

Soon after graduating he joined an Los Angeles based post production studio, Look Effects where he refined his skills and worked on a number of acclaimed high budget feature films such as Darren Aronofsky’s Noah and Wes Anderson’s Moonrise Kingdom.

In 2014, Uros joined Psyop/MassMarket New York at their newly opened feature film department to work on new Coen brothers movie Hail, Caesar.


Running in the morning through the city (down what the germans call a fussgangerzone) and being amazed by all the grand empty old buildings that reminded me of my Berlin beginnings. Grafitti on buildings. Lovely broken walls with acne'd facades from decades of reverse engineering. Discovering that all the ships on the river were party boats and open till the morning. Sweating so much in one of the clubs, my phone got messed up. Losing phone in said club. Visiting belgrade police station to report a then stolen phone to a twenty-something cop with a doctor's lab coat, listening to Rammstein (loudly) while hacking out my report on a pre-electric typewriter that looked (and sounded) as if it was from some era before typewriters were invented.   Thinking of Naked Lunch. Thinking of Die-Hard. Listening to architects talk about porous facades. Thinking of old smart bombs. Imagining the flash and crunch of several floors of reinforced concrete collapsing in on themselves. Wondering why I'm the only interactive guy here. Why are there so many beautiful women in Belgrade? Why are there so many beautiful women in Belgrade?!