MARTINO GAMPER (UK)

Related Projects: Belgrade Design Week Festival 2012

Because sometimes you go to some more established places there is always saturation. Here seems that you manage to see things and you manage to talk to people.

Martino Gamper (b. 1971, Merano, Italy) lives and works in London. Starting as an apprentice with a furniture maker in Merano, Gamper went on to study sculpture under Michelangelo Pistoletto at the Academy of Fine Arts, Vienna. He completed a Masters in 2000 from the Royal College of Art, London, where he studied under Ron Arad.

Working across design and art venues, Martino Gamper engages in a variety of projects from exhibition design, interior design, one-off commissions and the design of mass-produced products for the cutting edge of the international furniture industry.

Gamper has presented his works and projects internationally, selected exhibitions and commissions include:
‘design is a state of mind’, Serpentine Sackler Gallery, London (2014); ‘Period Room’, Palais De Tokyo, Paris; ’Tu casa, mi casa’, The Modern Institute, Glasgow (2013); ‘Bench Years’, London Design Festival commission, V&A Museum, London (2012); ʻGesamtkunsthandwerk’ (Karl Fritsch, Martino Gamper and Francis Upritchard), Govett-Brewster Art Gallery, New Plymouth – New Zealand (2011); Project for Café Charlottenborg, Kunsthal Charlottenborg, Copenhagen (2011); ‘Bench to Bench’, public street furniture in East London in collaboration with LTGDC (2011);‘A 100 chairs in 100 Days’, 5 Cromwell Place, London (2007);‘Wouldn’t it be Nice…Wishful thinking in Art & Designʼ, Centre dʼ Art Contemporain, Genève (2007).

Gamper was the recipient of the Moroso Award for Contemporary Art in 2011, and the Brit Insurance Designs of the Year, Furniture Award in 2008 for his project ‘A 100 Chairs in 100 days’.

Awards
Moroso Award for Contemporary Art, 2011
Wallpaper* Award for Best Use of Colour, 2011
Wallpaper* Award for Best Alchemist, 2008
Brit Insurance Designs of the Year, Winner of Furniture Award for ‘100 Chairs in 100 Days’, 2008

The Belgrade Design Week was the best design conference I have ever enjoyed – the specific spirit of the city in a kind of in between status, the rough tension which can still be felt ten years after the bombs, the pride and the looking for new orientation especially in the young generation – all this is giving the BDW a special flair far away from the current events of the global design circus. In addition the enthusiastic organizational team trying hardly but unsuccessfully to keep the program along the schedules, the informal exchange between the international speakers, the loss of any discipline, the parties on the river … what ever and how ever the interrelations between these aspects are working – it makes the BDW an unique, likeable, inspiring and productive event, I will never forget.

SUBSCRIBE TO OUR NEWSLETTER FOR REGULAR UPDATES OR CONTACT US.